Short Story
Bantu grows up being constantly subjected to his father's scorn. However, when he learns of his real parentage, he decides to carve a place for himself within the family he truly belongs to.
Trailer
Directed by: Trivikram Srinivas
Release date: 12 January 2020
Country : India
Language: Hindi
Story
Trivikram's hold on the script is evident from the first frame as he moves from one sequence to another swiftly. There is opulence and poetry in every frame, and he applies the same lavish approach to present it interestingly. The sequence where Bantu-Amulya and Raj deal with their business opponents has been conceived well. This episode clearly communicates the thought process of Ramachandra also. Like Trivikram's previous outings, the hallmark of this film is an undercurrent of emotions and tue director skillfully depicts the conflict and bonding in an urban setting. His prose, brimming with exuberance, is given impressive expression by Allu Arjun. The scene where he discovers the truth behind his birth and the ensuing confrontation with Valmiki is one of the best moments in the film. Also, his resolve to help Ramachandra's emotionally detached family is strong enough to make us empathise with his character. It's difficult to envision any other actor enacting the part of Bantu. As the story takes off, we don't see Allu Arjun, the star, we only see Bantu and that is one of the biggest strengths of the film. The emotional moments fit seamlessly into the narrative and the drama is even more engrossing towards the climax, when a key character resolves the conflict. Although the narrative follows the blueprint of family dramas, the story offers interesting twists and punch dialogues at regular intervals. However, Ala Vaikunthapurramuloo is not without its blemishes. While Trivikram, generally, may have a progressive opinion when it comes to portraying women characters, the same can't be said about Bantu's unmistakably obtuse gaze at his boss, Amulya (Pooja Hegde)'s legs. Samuthirakani and Govind's track seems half-baked and so is its culmination.
There's comedy, a little bit of romance, and heaps of emotional drama powered by the inventive use of music. SS Thaman's soothing melodies and foot-tapping songs are woven into the narrative to wondrous effect, especially OMG Daddy, Samajavaragamana, and Butta Bomma. While PS Vinod crafts every frame beautifully, Naveen Nooli's editing could have been sharper.
The film also benefits enormously from the performances of Allu Arjun and Murali Sharma. He perfectly slips into the character of Bantu, and brings swag and energy to the stylish sequences. His mesmerising dance moves in a well-conceived fight-folk song, and the way he mimics popular Telugu heroes in a medley are a delight. Murali Sharma's performance reveals both vulnerability and determination and he lends grace and gravitas to his character.
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